7 Major Facial Expression Categories Expose the Truth
43 individual facial muscles can create more than 10,000
human expressions. Certain facial
expressions are associated with particular human emotions. A self-conscious look of fear, anger,
or happiness can reveal more than a lie detector. Facial expressions across the globe fall roughly into seven
categories.
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Information
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Description
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Happy
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Happy expressions are
universally and easily recognized, and are interpreted as conveying messages
related to enjoyment, pleasure, a positive disposition, and
friendliness. Examples of happy
expressions are the easiest of all emotions to find in photographs, and are
readily produced by people on demand in the absence of any emotion. In fact, happy expressions may be
practiced behaviors because they are used so often to hide other emotions and
deceive or manipulate other people.
Consider this point when viewing invariably smiling political figures
and other celebrities on television.
Detecting genuine happy expressions may be as valuable as producing
good simulations. Some of the
differences in genuine versus false smiles are shown in the action of zygomatic
major in
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The expression for happiness
involves raising the lip corners, raising and wrinkling cheeks, and narrowing
eyelids, producing "crow's feet" (wrinkles in the corners of the
eyes).
The corners of the mouth lift
in a smile. As the eyelids
tighten, the cheeks rise and the outside corners of the brows pull down.
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Sad
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Sad expressions are often
conceived as opposite to happy ones, but this view is too simple, although
the action of the mouth corners is opposite. Sad expressions convey messages related to loss,
bereavement, discomfort, pain, helplessness, etc. Until recently, American culture contained a strong
censure against public displays of sadness by men, which may account for the
relative ease of finding pictures of sad expressions on female faces. A common sense view, shared by many
psychologists, is that sad emotion faces are lower intensity forms of crying
faces, which can be observed early in newborns, but differences noted between
these two expressions challenge this view, though both are related to
distress. Although weeping and
tears are a common concomitant of sad expressions, tears are not indicative
of any particular emotion, as in tears of joy.
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This expression features
narrowed eyes, eyebrows
brought together, a down-turned mouth, and a pulling up or bunching of the
chin.
The eyelids droop as the inner
corners of the brows rise and, in extreme sadness, draw together. The corners of the lips pull down,
and the lower lip may push up in a pout.
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Anger
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Anger expressions are seen
increasingly often in modern society, as daily stresses and frustrations
underlying anger seem to increase, but the expectation of reprisals decrease
with the higher sense of personal security. Anger is a primary concomitant of interpersonal
aggression, and its expression conveys messages about hostility, opposition,
and potential attack. Anger is a
common response to anger expressions, thus creating a positive feedback loop and
increasing the likelihood of dangerous conflict. Until recent times, a cultural prohibition on expression
of anger by women, particularly uncontrolled rage expressions, created a
distribution of anger expressions that differed between the sexes. The uncontrolled expression of rage
exerts a toxic effect on the angry person, and chronic anger seems associated
with certain patterns of behavior that correspond to unhealthy outcomes, such
as Type A behavior. Although
frequently associated with violence and destruction, anger is probably the
most socially constructive emotion as it often underlies the efforts of
individuals to shape societies into better, more just environments, and to
resist the imposition of injustice and tyranny.
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Anger involves lowered eyebrows,
a wrinkled forehead, tensed eyelids and tensed lips.
Both the lower and upper
eyelids tighten as the brows lower and draw together. Intense anger raises the upper
eyelids as well. The jaw thrusts
forward, the lips press together, and the lower lip may push up a little.
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Fear
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Fear expressions are not often
seen in societies where good personal security is typical, because the
imminent possibility of personal destruction, from interpersonal violence or
impersonal dangers, is the primary elicitor of fear. Fear expressions convey information
about imminent danger, a nearby threat, a disposition to flee, or likelihood
of bodily harm. The specific
objects that can elicit fear for any individual are varied. The experience of fear has an
extremely negative felt quality, and is reduced, along with the bodily
concomitants, when the threat has been avoided or has passed. Organization of behavior and
cognitive functions are adversely affected during fear, as escape becomes the
peremptory goal. Anxiety is
related to fear, and may involve some of the same bodily responses, but is a
longer-term mood and the elicitors are not as immediate. Both are associated with unhealthy
physical effects if prolonged.
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In fear, the mouth and eyes
are open, eyebrows are raised and nostrils are sometimes flared.
The eyes widen and the upper
lids rise, as in surprise, but the brows draw together. The lips stretch horizontally.
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Disgust
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Disgust expressions are often
part of the body's responses to objects that are revolting and nauseating,
such as rotting flesh, fecal matter and insects in food, or other offensive
materials that are rejected as suitable to eat. Obnoxious smells are effective in eliciting disgust
reactions. Disgust expressions
are often displayed as a commentary on many other events and people that
generate adverse reactions, but have nothing to do with the primal origin of
disgust as a rejection of possible foodstuffs.
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A look of disgust includes
nose scrunching, raising of the upper lip, downcast eyebrows and narrowed
eyes.
The nose wrinkles and the
upper lip raises while the lower lip protrudes.
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Contempt
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This is the only expression
that appears on just one side of the face: One half of the upper lip tightens
upward.
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Surprise
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Surprise expressions are
fleeting, and difficult to detect or record in real time. They almost always occur in response
to events that are unanticipated, and they convey messages about something
being unexpected, sudden, novel, or amazing. The brief surprise expression is often followed by other
expressions that reveal emotion in response to the surprise feeling or to the
object of surprise, emotions such as happiness or fear. For example, most of us have been
surprised, perhaps intentionally, by people who appear suddenly or do
something unexpected ("to scare you"), and elicit surprise, but if
the person is a friend, a typical after-emotion is happiness; but if a
stranger, fear. A surprise seems
to act like a reset switch that shifts our attention. Surprise expressions occur far less
often than people are disposed to say, "that surprises me," etc.,
because in most cases, such phrases indicate a simile, not an emotion.
Nevertheless, intellectual insights can elicit actual felt surprise and may
spur scholarly achievements.
Surprise is to be distinguished from startle, and their expressions
are quite different.
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Surprise appears with a
dropped jaw, relaxed lips and mouth, widened eyes and slightly raised eyelids
and eyebrows.
The upper eyelids and brows
rise, and the jaw drops open.
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Other Emotion Expressions And Related Expressions
Some psychologists have differentiated other emotions and
their expressions from those mentioned above. These other emotion or related expressions include contempt,
shame, and startle.
Contempt
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Contempt is related to
disgust, and involves some of the same actions, but differs from it, in part,
because its elicitors are different and its actions are more asymmetrical.
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Shame
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Shame also has a relation to
disgust according to some psychologists, but recent evidence suggests it may
have a distinct expression.
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Startle
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Most psychologists consider
startle to be different from any human emotions, more like a reflex to
intense sudden stimulation. The
startle expression is unique.
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There could be specific expressions for contentment, excitement, pride, relief, guilt,
and shame, but they have yet to be delineated. If you force your face to look sad or
angry, the rest of your body will react as well, and you may involuntarily
begin to feel those emotions. A
look of anger will make your heart speed up and your blood vessels dilate until
your skin turns red; a look of fear can make your hands cold and clammy and
your hairs stand on end; a look of disgust can make you nauseated.
Animated Expressions
http://www.dotolearn.com/games/facialexpressions/face.htm
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